Eddie Vedder hasn’t been as prolific with side-projects as his Pearl Jam bandmates: Stone Gossard used to have a band called Brad (R.I.P. Shawn Smith) and currently is a band called Painted Shield; he’s also done solo records. Jeff Ament has been part of Three Fish, Tres Mtns. and RNDM, and has put out a bunch of solo songs. Matt Cameron’s discography includes a number of projects including Hater, Wellwater Conspiracy, Harrybu McCage and Ten Commandos. Mike McCready, meanwhile, has been a member of Mad Season and the Rockfords.
Vedder, meanwhile, has just three solo albums to his name, so far: but it turns out that he has a pretty impressive discography outside of the band. He’s frequently contributed songs to various artist compilations, done one-off singles, and collaborated with other artists. Here are some of our favorite Vedder moments outside of Pearl Jam.
In 2020, Pearl Jam was supposed to be on tour for their âGigatonâ album, but of course, that didnât happen. Vedder did make some home recordings during the year, which he collected on this EP. The title track - a lovely piano ballad - was the highlight.
Another pandemic-era jam. This was co-written by Elton, Eddie and producer Andrew Watt, who soon got the gig producing Vedderâs solo album âEarthling,â and â at press time â is scheduled to produce the next Pearl Jam record. While much of Eltonâs album saw him eyeing the pop charts and working with Dua Lipa, Nicki Minaj, Charlie Puth and Lil Nas X, here, he goes back to his early barnstorming rock and roll form.
Eddie and Pearl Jam have always championed legendary (and underappreciated) L.A. punk rock band X. Here, Eddie and the Supersuckers cover Xâs âPoor Girlâ for this benefit album, which raised funds for the legal defense of the âWest Memphis Three,â three men who, while teenagers in 1994, were tried and convicted of the 1993 murders of three boys in West Memphis. The three were later set free â itâs a complicated story and you can learn more about them by checking out the documentaries âParadise Lost: The Child Murders at Robin Hood Hills,â âParadise Lost 2: Revelations,â and âParadise Lost 3: Purgatory.â
Eddie Vedder has also always championed New Zealandâs Crowded House and Split Enz (both of which featured brothers Tim and Neil Finn). On a Pearl Jam break, Eddie joined Neilâs touring band â which also included Johnny Marr of the Smiths and Ed OâBrien of Radiohead. Eddie took lead vocals on this Split Enz ballad with Neil accompanying him up on piano and backing vocals.
Early on, Pearl Jam was closely associated with basketball; their original name, Mookie Blaylock, was a tribute to an NBA legend. But Vedder is also incredibly passionate about baseball, particularly his beloved Chicago Cubs and this song was a love letter to the band and their long-suffering fans. 2008 marked the *one hundredth* anniversary of the Cubsâ last World Series title. Eight years later, in 2016, they actually did go all the way and won it again.
This comes close to being a Pearl Jam song - Stone Gossard, Jeff Ament, Mike McCready and their then-new drummer Jack Irons backed Neil on this album. âPeace and Loveâ was the albumâs one Young-Vedder duet and made us wish that Neil would just take Pearl Jam on the road as his backing band.
âInto The Wildâ was Vedderâs debut solo album, but it also served as the soundtrack to the film of the same name, a true story about a guy who hiked across North America into the Alaskan wilderness in the early 1990s. âSetting Forthâ is less than two minutes loong, and sets the scene for both the album and the film.
Eddie has often spoken of his admiration for Bruce Springsteen, and this was a pretty cool tribute. This live performance was recorded at the Kennedy Center Honors, with both Springsteen and President Obama in the audience.
Vedder is also a huge Ramones fan, even joining them onstage at their final concert (and later presenting them at their Rock and Roll Hall of Fame induction). For his contributions to the Rob Zombie-produced Ramones tribute album, he recruited Seattle hardcore band Zeke. They also recorded âDaytime Dilemma,â but âI Believe In Miraclesâ was the better of the two tracks and almost sounds like it was written with Ed in mind.
Vedderâs second solo album allowed him to indulge in his love for the ukulele (hence the title). But these are some of his saddest lyrics - and you can see why heâd rather keep them for a solo project than share them with the band. Theyâre so personal: âI should have known there was someone else/Down below I always kept it to myself/Now I believe in nothin', not today/As I move myself out of your sight/I'll be sleeping by myself tonight.â
The song is originally from âRough Mix,â the duo album by Townshend and Ronnie Lane from Faces. Here, Vedder joined his idol at a stripped-down show, where Townshend performed accompanied only by a keyboard player. Townshend took some of Laneâs lines, while Vedder took Townshendâs. It was a great reimagining of an underrated classic song.
Almost a prelude to his next solo album, âUkulele Songs,â on âRise,â Vedder shows how much one could do with just your voice and four strings. (Although heâd previously made that point on Pearl Jamâs 2000 song âSoon Forget,â which was essentially a solo Vedder jam).
Tom Morello joined Bruce Springsteen and the E Street Band as a touring guitarist in 2013 (filling in for Steven Van Zandt who was busy shooting âLilyhammerâ). Morello suggested a bunch of unusual covers for Springsteen, including Van Halenâs âJump,â and this AC/DC classic. When they were touring in Australia, Eddie Vedder joined them onstage for this jam. A few years later, Morello roped Vedder and Springsteen in for a studio version. Itâs a blast and itâs a rare treat to hear Vedder singing a fun hard rock jam.
Here, Vedder joined his favorite band on stage for a classic jam from âQuadrophenia,â a song originally sung by Pete Townshend. Itâs clearly a song that resonates with Vedder - he played it at his Ohana Festival shows in 2021.
âUkulele Songsâ covers a lot of ground. âSleeping By Myselfâ is about a relationship ending, but on âLonging To Belong,â Vedder celebrates a new one. âI dream of circles, perfect eyes within your face/My heart's an open wound that only you'd replace.â In other words, his heart will go on.
âWhy contain yourself/Like any other book on the shelf?â Vedder asks in this jam, which narrates the story in âInto The Wildâ when the filmâs protagonist decides to take his trip into the wilderness.
The entire âI Am Samâ soundtrack consisted of Beatles covers. The producers originally planned on using Beatles recordings, but they were unable to get the rights to them. However, they did have permission to record new versions of the songs⌠they just had to replace the originals in the already-cut film. That surely limited what the artists could do with their versions, since they had to fit exactly into timeslots in the film. Despite that limitation, Vedderâs cover of this classic song from âHelp!â is excellent, and he added his own touch, replacing the flute with his harmonica.
This hasnât been released anywhere but you can find it on YouTube; the frontmen became a duo for a three-song set at the 2016 Global Citizen Festival, and this Crowded House classic was the highlight of their performance.
One of Vedderâs most popular solo jams, itâs actually a cover of an artist called Indio, who released just one album, âBig Harvest,â in 1989. The songâs writer actually sued Vedder over his version, but the suit was dismissed. âHard Sunâ is one of the highlights of Vedderâs solo concerts.
Itâs one of two songs that the unlikely duo of Vedder and Nusrat Fateh Ali Khan recorded for âDead Man Walkingâ â the other was a version of Pearl Jamâs âLong Road.â Nusrat Fateh Ali Khan was a Pakistani vocalist/musician/composer who mostly sang qawwali, a form of Sufi devotional music. It was an inspired pairing and âFace Of Loveâ was one of the most powerful moments on an excellent soundtrack.
Mike Watt was a universally revered figure in the alternative rock world in the â80s and â90s. His former band, the Minutemen, were incredibly influential but never had a radio hit. A few of his disciples tried to change that with his first solo album: besides Vedder and Grohl, members of the Beastie Boys, Janeâs Addiction, Sonic Youth, the Meat Puppets and Dinosaur Jr. contributed to the album. This song, released during the peak of Pearl Jamâs popularity, actually did make it to the radio. Wattâs touring band for this album, believe it or not, consisted of Vedder and Pat Smear on guitars and Grohl on drums. The Foo Fighters were second on the bill (it was their very first tour). And Vedderâs then-wifeâs band, Hovercraft, was on the bill as well (Vedder was their drummer). What a time to be alive.
A song written for the film by a singer/songwriter named Jerry Hannan. The line âSociety, youâre a crazy breed/I hope you're not lonely without me,â hits especially hard, given the fate of the filmâs main character.
Vedder shows off his Tom Petty influence on this jam; itâs hard to imagine the Eddie Vedder of the â90s being ok with such a well-recorded straight ahead mellow rock song. But, one of the cool things about growing up is getting over hang-ups, and no longer worrying about indie cred.
The closing song from âInto The Wild,â it serves as a mournful goodbye from the filmâs protagonist. The song won Vedder a Golden Globe.
Vedder deals with loss movingly: âIf I could wish, wish it away/I would bleed out my knees and pray/If I could give, all that I have/To bring him back today.â Did Vedder write it about Chris Cornell? It doesnât matter, really: the sign of a great song is when you can apply it to yourself. And this is one of Vedderâs finest.
In the fall of 1992, a cavalcade of legends â Neil Young, Eric Clapton, Tom Petty, Stevie Wonder, George Harrison, Johnny Cash, the OâJays, John Mellencamp, Chrissie Hynde, Lou Reed and Willie Nelson â played a huge Dylan tribute concert at New Yorkâs Madison Square Garden. Eddie Vedder and Mike McCready werenât very well-known at the time: Pearl Jamâs âTenâ was a little over a year old. But with this powerful performance, they established themselves as peers of rock, folk and countryâs greatest artists. It was also an early example of Vedder throwing down the gauntlet and telling you where he stands politically.
This song was Vedderâs introduction to the world. When Temple of the Dog - a band featuring Soundgardenâs Chris Cornell and Matt Cameron and Pearl Jamâs Stone Gossard, Jeff Ament and Mike McCready â recorded their album, Soundgarden was already enjoying huge momentum in the alternative rock and hard rock worlds, thanks to a couple of SubPop EPs, and their first two albums, âUltramega OKâ (SST Records) and âLouder Than Loveâ (their major-label debut). Pearl Jam had yet to release âTenâ; in fact, both albums were being recorded simultaneously. Cornell, obviously, was a great singer, a huge presence and something of a star in his niche. But he was cool with letting Vedder, a newcomer, duet with him as an equal. And it gave the world a preview of the voice that would become a massive presence in popular music for the next decade.